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The television wire?

I want to get into this show, but I do not have time to watch all the seasons past. I know it's a lot, but can you tell me whats goin on who's who

The best site for who's who and give a summary page each episode of each season is the hbo site. It would take too long and too much space to fill you on everything. Hope this helps.

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Wire: & All the Pieces Matter – Five Years $16.43 There’s not much left to say about The Wire, David Simon’s intricately plotted Baltimore crime drama that ran on HBO from 2002 to 2008. Critics loved the show so much it was almost embarrassing, but its audiences were never as large as those of The Sopranos, or even Real Sex. Five Years of Music is strictly for Wire fans. Music was, of course, used sparingly in the show, appearing as it does in re…

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Star Trek – Deep Space Nine, Episode 42: The Wire [VHS] $4.94 Garak and Bashir have been having lunch once a week for over a year, and yet the doctor really knows nothing about the Cardassian. Garak’s life is an intricate puzzle of lies within lies. And then something happens, and Dr. Bashir slowly discovers what seems to be a truth of sorts about the mysterious tailor. The titular wire is a mind-control device buried deep within the Cardassian Garak’s …

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The Wire $11.99 Welcome to the critically acclaimed HBO drama series The Wire, hailed as “the best show on television, period” by the San Francisco Chronicle. The New York Times calls it “a vital part of the television landscape…unvarnished realism.” Time declares that The Wire, “like its underfunded, workaday cops, just plugged away until it outshone everything else on TV.” The Wire stands not only as riveting drama but also as a sociopolitical treatise with ambitions beyond any television serial. The failure of the drug war, the betrayal of the working class, the bureaucratization of the culture and the cost to individual dignity — such are the themes of the drama’s first two seasons. And with every new episode of season three and beyond, another layer of modern urban life will be revealed. Gritty, densely layered, and realistic, The Wire is series television at its very best, told from the point of view of the Baltimore police, their targets, and many of those caught in the middle. Rafael Alvarez — a reporter, essayist, and staff writer for the show — brings the reader inside, detailing many of the real-life incidents and personalities that have inspired the show’s storylines and characters, providing the reader with insights into the city of Baltimore — itself an undeniable character in the series. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authors George Pelecanos, Laura Lippman, and Anthony Walton, here is an invaluable resource for both fans of the show and viewers who have yet to discover The Wire. Hollywood has long used the cop drama to excite and entertain, and Hollywood has always dictated the terms. But The Wire is filmed entirely in Baltimore, conceived by Baltimoreans, and written by rust-belt journalists and novelists intimately familiar with the urban landscape. It’s as close as television has yet come to allowing an American city to tell its own tale.

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Wire $75 The Wire is about survival, about the strategies adopted by those living and working in the inner cities of America. It presents a world where for many even hope isn’t an option, where life operates as day-to-day existence without education, without job security, and without social structures. This is a world that is only grey, an exacting autopsy of a side of American life that has never seen the inside of a Starbucks. Over its five season, sixty-episode run (2002-2008), The Wire presents several overlapping narrative threads, all set in the city of Baltimore. The series consistently deconstructs conventional narratives of law, order, and disorder, offering a view of America that has never before been admitted to the public discourse of the televisual. It is bleak and at times excruciating, and even when the show makes metatextual reference to its own world as Dickensian, it is too gentle by half. By focusing on four main topics (Crime, Law Enforcement, America and Television), All in the Game examines the series’ place within popular culture and its representation of the realities of inner city life, social institutions, and politics in contemporary American society. This is a brilliant collection of essays on a show that has taken the art of television drama to new heights.

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