A Few Little Books Online ShoppingEverything You Always Wanted To Read

Is it possible, given the implausibility of what they claim to believe, that LDS people are simply…?

PRETENDING to believe these things. Perhaps they like the structure the the so called “shared cultural history” so much that they disregard the fact that their “book” is a total fiction? This is question. Is this what is happening with them?

Most LDS actually believe the stuff the church teaches. Most that do are quite ignorant of the conclusive proofs that have shown it to be false. However, some do indeed know the “real score,” and are indeed pretending to believe while only staying in the church out of “tradition” or other reasons.

For example, Thomas Ferguson, a well-known mormon archaeologist, wrote the following in a letter to a friend after seeing the conclusive evidence that the “Book of Abraham” in the PoGP was a complete fraud:

“Since 4 scholars, who have established that they can read Egyptian, say that the manuscripts deal with neither Abraham nor Joseph– and since the 4 reputable men tell us exactly what the manuscripts do say — I must conclude that Joseph Smith had not the remotest skill in things Egyptian-hieroglyphics. To my surprise, one of the highest of officials in the Mormon Church agreed with that conclusion when I made that very statement to him on Dec. 4, 1970–privately in one-to-one [c]onversation…

“The attempts, including Nibley’s, to explain away and dodge the trap into which Joseph Smith fell when he had the audacity to translate the Chandler text, and keep the original Egyptian texts around, are absurd, in my view.

“My views are not for publication or spreading abroad. I am like you–maintaining membership because of the many fine things the Church offers. But facts speak for themselves. I offered the data available to my Stake Pres. recently and he walked away without it–saying he didn’t want to read it. They can hardly excommunicate us when they won’t look at the evidence.”

Mormon apologists blame Ferguson’s “incaution” for his loss of faith, despite the fact that the church funded his archaeology expeditions (to the tune of many hundreds of thousands of dollars) trying to prove the book of mormon (which came up empty despite many years of trying) for a number of hears without worrying about his “incaution.”

Peace.

Cloak (YA Fantasy) $4.99 Thirteen-year-old bubble boy Will Tuttle lives a boring, friendless life trapped in a sterile Brooklyn apartment, suffering from mysterious allergies no doctor can explain. Fed up with his pointless existence he breaks free of his bubble to explore New York City, not expecting to return alive. Along the way, Will discovers that his countless allergies have a single, bizarre source.Suddenly Will is…

This Very Moment $5.99 Bill Dubrey is a broken man. Grieving over his wife who died in a tragic accident, he changes his name and moves thousands of miles away to Los Angeles—severing all ties with the past. Even then, he can’t seem to forget the agony of his loss.When circumstances throw Bill into the path of Kylee Stuart, an old friend his wife knew in France, he is initially upset at the flood of painful memories. …

Heaven Is Here: An Incredible story of Hope, Triumph, and Everyday Joy $13.99 Go on an unforgettable journey, with a woman who has unimaginable strength. Stephanie Nielson began sharing her life in 2005 on nieniedialogues.com, drawing readers in with her warmth and candor. She quickly attracted a loyal following that was captivated by the upbeat mother happily raising her young children, madly in love with her husband, Christian (Mr. Nielson to her readers), and filled with…

The Art of Fiction $12.99 In 1958, Ayn Rand, already the world-famous author of such bestselling books as atlas shrugged and The Fountainhead, gave a private series of extemporaneous lectures in her own living room on the art of fiction. Tore Boeckmann and Leonard Peikoff for the first time now bring readers the edited transcript of these exciting personal statements. The Art of Fiction offers invaluable lessons, in which Rand analyzes the four essential elements of fiction: theme, plot, characterization, and style. She demonstrates her ideas by dissecting her best-known works, as well as those of other famous authors, such as Thomas Wolfe, Sinclair Lewis, and Victor Hugo. An historic accomplishment, this compendium will be a unique and fascinating resource for both writers and readers of fiction.

Fact and Fiction $29.95 Here Russell reflects on the books and writings that influenced his life, including fiction, essays on politics and education, divertissements and parables. This book provides valuable insight into the range of interests and depth of conviction of one of the world’s greatest philosophers.

Fiction for youth: A guide to recommended books $6.53 This book is in Good Used condition

The Fiction Class $11.99 A witty, honest, and hugely entertaining story for anyone who loves books, or has a difficult mother. And, let’s face it, that’s practically everybody . . . On paper, Arabella Hicks seems more than qualified to teach her fiction class on the Upper West Side: she’s a writer herself; she’s passionate about books; she’s even named after the heroine in a Georgette Heyer novel. On the other hand, she’s thirty-eight, single, and has been writing the same book for the last seven years. And she has been distracted recently: on the same day that Arabella teaches her class she also visits her mother in a nursing home outside the city. And every time they argue. Arabella wants the fighting to stop, but, as her mother puts it, “Just because we’re family, doesn’t mean we have to like each other.” When her class takes a surprising turn and her lessons start to spill over into her weekly visits, she suddenly finds she might be holding the key to her mother’s love and, dare she say it, her own inspiration. After all, as a lifelong lover of books, she knows the power of a good story.

Pop Fiction $10 Pop Fiction’s unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, this offers instead a close examination of two pervasive and significant mediums in combination. The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in cinematic moments. The song as: role-play, memory trigger, narrator, ghost, marketing device, translator, alienator, membership rite etc. All provide fresh insight towards the inter-textual fusion of film and song. Additionally the books form reduces the area of analysis to expose differences and similarities between these contrasting fields of study. Innovative yet accessible, this exciting document would appeal to students, lecturers and researchers offering a diverse set of models with which to investigate the ‘ideogram’ of image/text/sound – a relationship which sits at the heart of most cultural production. For beginners, the book provides comforting areas of familiarity (pop song and film) while exploring areas of respective discipline and inter-disciplinary practice in an original manner.