fiction books for women

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Posted by admin | Posted in Bestsellers | Posted on 24-07-2008

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fiction books for women

publish Your Non-fiction book – 7 Hints

1.  Spend $15.99, or less if you’re a smart shopper, and get yourself a copy of How to Write a Book Proposal by Michael Larson. I know I say this elsewhere on my site, but it bears repeating—this book is pure gold.

The first time I attended a writers’ conference, the speaker incidentally introduced the one active agent who was attending the conference.  As we walked out of the room, I followed a group of women to a table in the nearby café where I suddenly found myself sitting at the table with this one agent.  Less than five minutes later everyone else at the table got up to go to bed.  How good can it get?

That agent informed me outright that she had little interest in the topic of my book (transforming anger), but she was happy to offer advice and her advice was some of the best I’ve ever received:  “Read Larson’s book and apply his techniques religiously.”  She actually requires her authors to submit book proposals in Larson’s format.

2. Attend a “Meet the Agents” event through the International Women’s Writing Guild.

Men, women and children—this means you.  Yes, the “W” word may be a bit intimidating for you men, but I have never been to a forum with more agents in one room offering you the opportunity to pitch your work to them.  Avoid the slush pile and start here now.  The meetings are in NY, but well worth the trip. Of course, other writers’ conferences can also be a great resource for meeting agents, particularly if you write for a niche such as children’s books.

3. NETWORK

Ask everyone you know if they know an agent or publisher.  Tell everyone about your book project.  You never know who has the contact that will land you the agent or publisher of your dreams. Get to know other writers—do favors for them when you can. Suggest your friend’s book for a radio talk show; offer to edit or provide feedback on someone’s writing. Then, when you’re looking for help, they’ll be happy to return the favor.

4. Edit, edit, edit.

Get your proposal in the best possible shape before sending it out.  Misspellings, grammatical errors, or awkward sentences can land your proposal in the can before the agent finishes reading page one.

5. Consider collaboration.

  1. Hey, it worked for me.

6. Get experience.

If you’ve chosen to write about a field that’s new to you, work at making yourself an expert before submitting your proposal.  Write articles on your subject. Interview experts in this field.  Offer to do some volunteer work for someone known in the field.  Start a website on the subject. Make yourself into someone who has the credentials.

7. Create a Platform for yourself.

We live in the era of platform. Most publishers are looking for platform when they choose their authors. Platform is how you’re going to reach your audience—website, speaking engagements, training, your own radio or TV show, a regular newspaper column, etc. This can be daunting, but it’s a huge plus if you can do it. Work your way up to it. Start writing a column for a local paper, or web-based newsletter. Or join toastmasters and begin to schedule speaking engagements about your topic.

One way to break in is to develop a well-visited website. Make sure you have newsy information and update your site regularly so that people will want to return. Find a niche to stand out and attract a targeted audience. For example, if you’re writing about depression, but there are many depression websites, write about teenage depression or offer holistic approaches to depression.

You don’t have to create your platform overnight. Give yourself time and it will develop. You can still begin to look for an agent while you develop your platform. That way, as you receive feedback and improve your proposal, you can also be expanding your platform.

About the author

National book writing coach and published author Lisa Tener helps authors write books and get published. Lisa has appeared on ABC World News with Peter Jennings, and PBS-TV. Her book writing clients have been featured on Oprah, Montel Williams, and CNN. Lisa speaks, coaches and teaches how to write a book throughout the US, and serves on the faculty of the Harvard Medical School continuing education course on book writing and publishing. Get Free book writing & publishing updates here .


Bedtime reading Photo Mugs


Bedtime reading Photo Mugs



MODEL RELEASED. Bedtime reading. Mother reading a book to her four-year-old daughter (at left) and five-year-old son at bedtime…..


Bedtime reading Photo Mugs


Bedtime reading Photo Mugs



MODEL RELEASED. Bedtime reading. Mother reading a book to her four-year-old daughter at bedtime…..


mother Knowsbest Photo Mugs


mother Knowsbest Photo Mugs



Edna Ferbers book deals with the vicissitudes of a womans career on Broadway this edition is illustrated with scenes from the silent movie starring Madge Bellamy…..


Pulp Fiction: Music From The Motion Picture


Pulp Fiction: Music From The Motion Picture


$4.75


Dick Dale’s surf-guitar provided the memorable title theme (”Misirlou”), for Quentin Tarantino’s 1994 smash, and although that sound runs throughout the soundtrack (along with bits and pieces of dialog from the movie), this is a pretty eclectic bunch of really terrific songs. I don’t know how it all manages to hang together, but it does (you might say the same for the interwoven stories in t…

Please Don't Stop The Music (Choc Lit)


Please Don’t Stop The Music (Choc Lit)


$0.99


How much can you hide?Jemima Hutton is determined to build a successful new life and keep her past a dark secret. Trouble is, her jewellery business looks set to fail – until enigmatic Ben Davies offers to stock her handmade belt buckles in his guitar shop and things start looking up, on all fronts.But Ben has secrets too. When Jemima finds out he used to be the front man of hugely successful Indi…

Girls to the Front: The True Story of the Riot Grrrl Revolution


Girls to the Front: The True
story of the Riot Grrrl Revolution


$12.99


Girls to the Front is the epic, definitive history of Riot Grrrl—the radical feminist uprising that exploded into the public eye in the 1990s and included incendiary punk bands Bikini Kill, Bratmobile, Heavens to Betsy, and Huggy Bear. A dynamic chronicle not just a movement but an era, this is the story of a group of pissed—off girls with no patience for sexism and no intention of keeping quiet…

Pretty Woman [VHS]


Pretty Woman [VHS]


$3.97


Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story–and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cyni…

Pretty Woman [VHS]


Pretty Woman [VHS]


$0.05


Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story–and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cyni…

When a Man Loves a Woman [VHS]


When a Man Loves a Woman [VHS]


$1.49


When a Man Loves a Woman is a dumb title (not another classic pop song, please) for a very smart movie. A kind of gender-switch take on The Lost Weekend, it’s about a woman (Meg Ryan) whose alcoholism almost destroys her family. That may sound like just another TV movie, but When a Man Loves a Woman is so authentic in detail and emotion, that everything about it seems fresh, urgent, and engrossing…

Chinese Men and Women (Chinese Edition)


Chinese Men and Women (Chinese Edition)


$11.99


The book explores the real images of Chinese men and women. Based on extensive historical documents, the book discusses the Chinese peoples thoughts of life, marriage and the ideal marriage in their minds, including the relations between men and women, traditional and modern marriage ideas….

Language, Gender and Children's Fiction


Language, Gender and Children’s Fiction


$140


This is an original, scholarly yet accessible contribution to the field of children's fiction. It focuses on gender in relation to children's fiction and the role that language plays in this relationship. Girls' and boys' reading itself is looked at, as well as the books that they encounter – including the Harry Potter series, Louis Sachar’s prizewinning Holes , fairy tales and school reading schemes. The book treats fiction as fiction, using as its guiding principles the multimodality of much children’s fiction; that fiction is almost always dialogic; that the feminist movement has had considerable influence on textual representations of women, men, boys and girls and that language (including what the characters say, and how, and what is said about them) is a key to the different readings of fictional texts. This will be a valuable resource for researchers in and students of linguistics, language studies and English literature.

Young Adult Science Fiction


Young Adult
science fiction


$115


At the close of the nineteenth century, American youths developed a growing interest in electricity and its applications, machines, and gadgetry. When authors and publishers recognized the extent of this interest in technology, they sought to create reading materials that would meet this market need. The result was science fiction written especially for young adults. While critics tended to neglect young adult science fiction for decades, they gradually came to recognize its practical and cultural value. Science fiction inspired many young adults to study science and engineering and helped foster technological innovation. At the same time, these works also explored cultural and social concerns more commonly associated with serious literature. Nor was young adult science fiction a peculiarly American phenomenon: authors in other countries likewise wrote science fiction for young adult readers. This book examines young adult science fiction in the U.S. and several other countries and explores issues central to the genre. The first part of the book treats the larger contexts of young adult science fiction and includes chapters on its history and development. Included are discussions of science fiction for young adults in the U.S. and in Canada, Great Britain, Germany, and Australia. These chapters are written by expert contributors and chart the history of young adult science fiction from the nineteenth century to the present. The second section of the book considers topics of special interest to young adult science fiction. Some of the chapters look at particular forms and expressions of science fiction, such as films and comic books. Others treat particular topics, such as the portrayal of women in Robert Heinlein’s works and representations of war in young adult science fiction. Yet another chapter studies the young adult science fiction novel as a coming-of-age story and thus helps distinguish the genre from science fiction written for adult readers. All chapters reflect current research, and the volume concludes with extensive bibliographies.

Desire and Domestic Fiction


Desire and Domestic Fiction


$35


Desire and Domestic Fiction argues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of “identity” with a gender-determined subjectivity. She also examines the works of such novelists as Richardson, jane austen, and the Brontes to reveal the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.

Lesbian Pulp Fiction


Lesbian Pulp Fiction


$20


Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post-World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions — cheap, easy to find in drugstores, and immediately recognizable by their lurid covers: often a hard-looking brunette standing over a scantily clad blonde, or a man gazing in tormented lust at a lovely, unobtainable lesbian. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some — especially those written by lesbians — offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

The Art of Fiction


The Art of Fiction


$12.99


In 1958, Ayn Rand, already the world-famous author of such bestselling books as atlas shrugged and The Fountainhead, gave a private series of extemporaneous lectures in her own living room on the art of fiction. Tore Boeckmann and Leonard Peikoff for the first time now bring readers the edited transcript of these exciting personal statements. The Art of Fiction offers invaluable lessons, in which Rand analyzes the four essential elements of fiction: theme, plot, characterization, and style. She demonstrates her ideas by dissecting her best-known works, as well as those of other famous authors, such as Thomas Wolfe, Sinclair Lewis, and Victor Hugo. An historic accomplishment, this compendium will be a unique and fascinating resource for both writers and readers of fiction.

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