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Development of a novel from inside to outside and back to front

I expelled from the school of architecture. Survived long enough without But to learn a thing or two about the art of designing and constructing buildings. For example, I learned that, regardless of whether the project is a simple home dream or a skyscraper of fifty and a story not just occur in the workplace with lots of wood, a hammer well, and an endless supply of nails and then to make a pound of two by four to another ad hoc until exhaustion. It's amazing, I know, but true. Building Craftsmen actually spend months or even years soon develop, edit and refine your project plan before even thinking in order that the pile of wood and a bottomless bag of nails. And yet so many of artisans stories we plop your ass in a chair, wake up our computers, and proceed to wage a floor to another ad hoc until the end. At the time this mess is declared unstable of words to a story.

Of course, unlike the house of your dreams or skyscraper collapses if a story about himself that no one dies, but the reader may wish they had. But there must be the life or death consequences at stake for the consumer before you should expect quality craftsmanship in the product buying? Of course not.

Now, since I'm a self-proclaimed architect footman turned art student writing of the novel of the last ten years who has had many stories fall apart around me, the reader and fellow students presumably vessel is within its right to dismiss what follows, or you could have a grain of salt. But before doing so I must say that I managed to make at least a story that remained standing all alone. And believe it or not, the damn thing can be even on a bookshelf near you.

Curiously, there is essentially the only difference between the many stories littering floor of my office into piles of rubble and collapsed foot height above a bookstore shelf. Many were constructed by blindly hitting a word to another, while that one was built closely following a plan designed methodically. And like any construction project, the project my story was crafted in layers, each a culmination of all previous layers. And this is my grain of salt you, the model of a story.

Development of a story is done from the inside out. And in the center of all history is the premise. Thus, the first layer of the model is developed this premise, which provides the foundation for a building. The four pillars of this foundation are thematic elements of the story (the subliminal messages that the author wants to communicate to the reader), the emotions that should provoke the reader, new ideas to be presented, and most important is at stake (hopefully worst case scenarios from the protagonist and antagonist of the respective points of view). The second layer is based in these columns, and sets the climax of the story. But the climax comes at the end of the story, you say. And that is like writing a history of back and forth. Also is very similar to a builder who makes a first image of your completed project long before it opens, or in this case, the first scene is written. The craftsman must be able to visualize your project in its complete form before beginning construction. Without worrying about the details, to create a better picture of the dramatic conflict between antagonist and protagonist while incorporating the four elements of the premise.

The next layer is the synopsis, or loose, chronological narrative of the plot. After completion provided, point to the beginning and end of the story, filling in all that is required to understand and feel the climax and accept the consequences of termination. This layer movement to the scene by scene outline. Here is the synopsis is segmented into specific scenes in any chronological order is necessary to obtain the desired emotional effect.

With a complete design history is ready for construction. It's time to write the manuscript, the time to hit one word to another, following the model or scene by scene gauge.

And when that bag was finally empty words, do not hesitate to take a step back and let go of the story. Take it from a lackey architect. Its history can not become a bestseller, but because he made by hand from the inside out and backwards to lift by itself, perhaps even on a shelf bookstore near me.

About the Author

Eric Penz is the author of
Cryptid: The Lost Legacy of Lewis and Clark.
Visit his Web site to learn more, http://www.ericpenz.com

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